http://www.zumapress.com/search_results.html?HEADLINE=Devotees+attend+Thailand+Tattoo+Festival
AIZUDDIN SAAD began photography on late 2003 but he starting serious involved in photography after he resigned his career as a graphic designer in April 2007. He is a self-taught photojournalist based in Kuala Lumpur and his major interests are social documentary, cultures, arts and humanity photography. He has been contributing to Reuters, EPA, and DrikNews since 2007, and has been a staff photographer at the New Straits Times since 2009. He was nominated for 2011 Malaysia Press Institute (MPI) Journalism Award for Best Features category and 2013 Asian Media Award top 3 contestant for Best Features category.
After spending many years abroad pursuing education and career opportunities as a building technology consultant, PEIN LEE returned to Asia in 2006, specifically Malaysia. Reportage photography had became a habitual way of recording his travels and experiences, and led to an in-depth and active involvement in bearing witness to events and human stories around him. Humanitarian and travel photography are his key interests, but recently Pein has found a calling towards music photography as well as motorsports, while maintaining a diverse blend of interests means he is ready to cover any story of public interest. Having produced a series of complete feature productions for The Star newspaper in Malaysia as well as regional online news portals, and magazines in print, Pein looks forward to participating in photojournalism internationally.
ABHIJIT ADDYA is a staff photographer for the Bengal Post. He fits in this job for five prime reasons: He knows what good photography is. He observes contemporary politics carefully. He can read social changes of human behavioral pattern and outer fashions. He believes that news photography is a 24/7 job. And, he keeps his camera next to him even at bedtime, because he wants not to miss the opportunity to take photographs of a good dream sequence.
PETER THOSHINSKY is a 54 year old San Francisco based freelance photographer just entering a new career in photojournalism and social documentary photography. Peter was born and raised in San Francisco during the 1960’s and 1970’s, and has been shaped by its politics and beliefs. During the last 31 years Peter has worked as a San Francisco Police Officer assigned to the Tenderloin and Bayview neighborhoods where he photographed his experiences, and produced a book entitled ‘Blue in Black and White’ in 1999. During this time Peter did extensive work photographing with the Public Relations Unit, contributing his photos to various City projects, and providing images for display in public buildings. He has been a contributing photographer to the San Francisco Police Officers Association Journal Newspaper, and the San Francisco Bay Area Reporter, the oldest and longest running LGBT newspaper in the world. He also volunteers his time at the Harvey Milk Photo Center. “The more and more I have seen of this world, the more I realize I need to look again at everything from a different angle.” Peter says, Things are not what we assume them to be. Always add a question mark to what we think we know. That’s what I like to do with my camera”.
DANIEL DESLOVER is the Photo Editor and Chief Photographer at ConcertCapture.com http://ConcertCapture.com, a site for live music photography, and music reviews. Before that he worked as Staff Photographer at Sonic Rampage (2010-2011), a site primarily interested in hard rock and metal performances. Freelancing in the Upper Midwest (Chicago; Milwaukee; and Madison, Wisconsin) he created travel stock photography before delving into concert photography. His photos have been syndicated to several music review outlets including The Dead Hub, Rock World Magazine, Sonic Rampage and Examiner.com http://Examiner.com
SEAN SPERRY is a photojournalist based out of the Columbia River Gorge and covers stories in the Pacific Northwest. He studied journalism at the University of Montana and worked for eight-years as a staff photographer for the Bozeman Daily Chronicle, in Montana. During this time Sperry further developed his documentary style and ability to capture a great photo no matter the subject matter or lighting conditions. With the ability to work closely with clients and reporters, He ensures that not only are great photos taken but they also tell the story.
